hell's kitchen
“It’s not just about setting the time and space, it’s also about the dancers.” There is time and There is “Space”. Camille A. Brown Her work on “Hell's Kitchen.'' The choreographer found her 1990s setting in the script combined with 1990s music. alicia key, She was able to explore movement from multiple entry points. Watch the exclusive video interview above.
“Hell's Kitchen” is the story of ants (Marea Joy Moon), loosely adapted from Keyes' own journey growing up in New York City. She lives in Manhattan Plaza, an artists' residence in Hell's Kitchen, under the watchful eye of her overprotective mother.Shoshana Bean). Ali wants to fly into the heart of her pulsating city and live on her own terms. She happens to encounter a pianist in the building (Kesia Lewis) leads her on a path of self-discovery.
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Brown is from Queens, Jamaica, and rode the subway on her way to LaGuardia High School in the '90s, so experiencing the era of the show felt natural to her. “These are ballroom dances that I've been doing since I was little. So it was an opportunity to bring everything I had experienced as a teenager,” Brown says of her connection to the story. “It was a wonderful world to jump into…and a real homage to the city I was born and raised in.”
Not only does Brown bring movement to Keys' megahits like “Girl on Fire,” but he can also define the visuals for several new songs written for “Hell's Kitchen.” Chief among them is “Kaleidoscope,” in which dancers swirl around ants like the very elements. “I wanted to lean into the linguistic aspects of concert dance movement,” Brown says of his approach to the song. “Kaleidoscope is such a great, beautiful song that gives us elements of hip-hop and elements of church,” she explains. spirit. “As a result, the dancers feel like an extension of Ali's emotions, ebbing and flowing with her character's inner journey.
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The pulsating movements of Brown's choreography have audiences dancing in their seats at the Shubert Theater every night. “I remember when I started choreographing and thinking about starting a career in choreography, I didn't know if I was going to make people feel anything,” she admits. “It's fast story, but I've been creating work and being involved in this craft as a choreographer for over 20 years. And I look at the audience and feel their reactions and their visual sense of what I've created. Is it to see the reaction? It's very meaningful because it uses movement.”
Mr. Brown is a three-time Tony Award nominee. She was nominated for both her direction and choreography of the revival of “For Colored Girls” and her choreography of “Choir Boy.” She was nominated for a Bessie Award in 2022 for her opera Fire Shut Up in My Bones at the Metropolitan Opera and is recalibrating for her return this spring.
Predict 2024 Tony Award nominations open until April 30th
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